ABOUT THE CENTRE

There is seemingly nothing more unfamiliar to the people of the 21st century than the art of southern Europe, the Byzantine East and Persian-Islamic civilization in the Early Medieval period. The visual culture of these worlds surpasses the categories of post avant-garde aesthetics and the meaning of images, buildings and reliefs, deeply rooted in the religious tradition of the Mediterranean, rarely resonates in postmodern culture. In spite of this, Brno is home to The Center for Early Medieval Studies, which is devoted, not only in the educational field, but in research and in the contact with a non-academic audience, to the study and presentation of the figurative art created around the Mediterranean between the 4th and the 10th centuries. The aim of the Center’s activities is to analyse the evolution of the major civilizations that came into being within the territory of the defunct Roman Empire. Consequently, the subject of the Center’s studies is the development of the identity of Western Europe, Byzantium and Islam as autonomous yet mutually dependent phenomena. This transcultural approach is essential for understanding the dialogue and conflicts between these civilizations, and, at the same time, is necessary for the comprehension of the global phenomena that independently emerged in these cultures.

This method is based on the tradition of the historiography of art history in Bohemia and Moravia, and on the legacy of The Vienna School of Art History, which also influenced the Department of Art History in Brno. After the First World War, a significant international institution resided in Czechoslovakia – Institutum Kondakovianum, founded in honour of Nikodim Pavlovič Kondakov, who had passed away in Prague in 1925. Furthermore, international periodicals with focused on Byzantium and the East were published during the interwar period in Czechoslovakia: Byzantinoslavica and Seminarium Kondakovianum. We need to emphasize the fact that the required studies at The Vienna School of Art History were created as a result of the research on the Early Middle Ages and Byzantium. We have to mention especially the classic works by Franz Wickhoff, Römische Kunst (Die Wiener Genesis) (Wien, 1895) and Alois Riegl, Die Spätrömische Kunst-Industrie nach den Funden in Östereichen-Ungarn (Wien, 1901). The Center for Early Medieval Studies aims to base its activities on both of these above-mentioned traditions.

The activities of the Center are to a large extent dependent on the volunteer work of students from the Department of Art History in Brno who, since November 2011, have also been organising regular public lectures, “Středověc Jinax”. These lectures are not targeted only at the academic audience, but also at the general public.

prof. Ivan Foletti, M.A., Ph.D., Head of the Centre

HANS BELTING LIBRARY

One of the most important contemporary art historians, Hans Belting, together with Christa Belting-Ihm, donated their collection of literature on medieval art to the Center for Early Medieval Studies at the Department of Art History, Faculty of Arts, Masaryk University, allowing for the establishment of a library named in the honor of the donor. With the quality of the collection acquired, the Center rises to the level of major European institutions.

The donated collection contains a number of works which form the essential pillars for the study of medieval art, but which were generally lacking in Central European library collections. This mainly concerns literature dedicated to manuscripts (mainly from the Eastern world and the Apennine peninsula), Constantinople, Venice, southern Italy, Rome, Ravenna, Russia and the Caucasus. Now, the Hans Belting Library includes not only extensive literature dedicated to the study of medieval art, but also rare facsimiles (e.g. Vienna Genesis, Chludov Psalter, Utrecht Psalter, Rotulus Exultet, etc.). A large part of the collection focuses on the study of the monumental art of the Christian East, from Constantinople to the Caucasus to Egypt and Syria. An important section is also devoted to iconic paintings, called “icons”. Other notable components of the library include dozens of volumes of Greek and Latin sources, and an extensive collection thematising the Cathedral of St. Mark in Venice. In addition, the collection encompasses a series of several periodicals, especially Dumbarton Oaks PapersJahrbuch für Antike und Christentum and Münstersche Mittelater-Schriften, as well as a stunning collection of several hundred solely printed papers – now a dying form of scientific literature – often gifted by such great scholars in the field as Kurt Weitzmann, Ernst Kitzinger, and Richard Krautheimer.

Yet another valuable section of the library is a part of Belting’s personal archive. Here, it is possible to browse through the complete photo library of the donor, his personal notes, and several of his unpublished, hand-written articles.

The library is accessible to anyone interested in the subject, especially to specialized researchers from the Czech Republic, but also to students, who previously often had to travel abroad to get hold of such quality literature. The library is located in building “K” of the Faculty of Arts, Masaryk University, at Veveří Street in Brno. With the capacity of twenty-six learning places and, above all, direct access to books, it provides researchers with a high-quality study area as well as likeable working conditions. The actual space of the library have come into being primarily thanks to the significant support of the Dean of the Faculty of Arts, Milan Pol, and the Head of the Department of Art History, Ondřej Jakubec.

HERBERT L. KESSLER PRIZE

Each year since 2017, the Centre for Early Medieval Studies Committee has the pleasure to award the Herbert L. Kessler Prize, named after one of the most influential medieval art historians and a founding member of the Centre. Herbert L. Kessler not only provided a decisive inspiration and impulse to the development of the Centre and its intellectual foundations, but also to those of its periodical Convivium. The award recognizes individuals who have contributed most significantly to the support and development of the Centre for Early Medieval Studies and of its activities. It is handed out annually during the Christmas celebrations of the Centre, in Brno.

Recipients of the Herbert L. Kessler Prize

2023 – Anna Kelblová
2022 – Michele Bacci
2021 – Vincent Debiais
2020 – Jiří Kroupa
2019 – Tanja Michalsky
2018 – Elisabetta Scirocco
2017 – Ondřej Jakubec

AFCEMS Prize

In the aim to promote international excellence and multilingual research, the Association of Friends of the Center for Early Medieval Studies (AFCEMS) has established a yearly prize for the best book on medieval art (all pre-modern world cultures included). The prize is awarded annually at the end of the year or later. The selection board is directed by Michele Bacci (Université de Fribourg) and Ivan Foletti (Masaryk University, Brno) and includes leading experts in the field from all over the world.

We accept submissions in English, French, Italian, German, Spanish, Portuguese, Greek, or Russian. The publication’s author(s) are expected to be current members of the AFCEMS (to join, visit our website’s Membership Page).

The author of the winning book will receive € 1000 or our publications in the value of 1200 €.

Recipients of the AFCEMS Prize

2023 – Licia Buttà
2022 – Amy Neff

AFCEMS Prize 2024

ADVISORY BOARD

Starting from October 2019, the Centre for Early Medieval Studies is honored to have established an advisory board composed of international and confirmed scholars of the field of art history.

The main objective of this board is to provide mentorship and advice regarding the scientific and publishing activities of the Centre. Since the Centre, now seven years old, and its periodical Convivium, have made an integral part of the study and research process to share ideas and experiences, the gatherings of the board will be also be an occasion for scholars to regularly meet in Brno, and, on those occasions, to organize authentic convivia.

MEMBERS OF THE ADVISORY BOARD:

Michele Bacci (University of Fribourg)

Hans Belting (Zentrum für Literatur- und Kulturforschung, Berlin)

Klára Benešovská (Academy of Sciences of the Czech Republic, Prague)

Philippe Cordez (Deutsches Forum für Kunstgeschichte, Paris)

Sible de Blaauw (Radboud University, Nijmegen)

Francesca Dell’Acqua (Università di Salerno)

Jaś Elsner (University of Oxford)

Finbarr Barry Flood (New York University, Silsila Center for Material Histories)

Ondřej Jakubec (Masaryk University, Brno)

Herbert L. Kessler (Johns Hopkins University, Baltimore)

Jan Klípa (Academy of Sciences of the Czech Republic, Prague)

Tanja Michalsky (Bibliotheca Hertziana, Max-Planck-Institut für Kunstgeschichte, Rome)

Bissera Pentcheva (Stanford University)

Serena Romano (University of Lausanne)

Elisabetta Scirocco (Bibliotheca Hertziana, Max-Planck-Institut für Kunstgeschichte, Rome)