In the last two decades, scholarship underwent a radical transformation: the peer-review process became a standard procedure of the selection of publications in journals, books, and other outputs, while the use of English became dominant in human sciences. The peer-review process had an extremely beneficial impact on the production of a much-more transparent process of selection, while the existence of a lingua franca democratized and facilitated exchange of ideas between scholars from various backgrounds. At the same time, however, the strengths of this system also inevitably became its weaknesses: the peer-review process could be used as medium that standardizes scholarly thinking, and in extreme cases, can also lead to maintaining a retrogressive status quo due to a lack of heterogeneity and the exclusion of non-English dominant scholars. This reality is exacerbated by the immense capitalist pressure on scholars to be “productive” for their institutions and by extension for their institution’s funding: as a result, books and articles have often become primarily career-building elements rather than objects of genuine intellectual exchange and research progress. Thusly, debate has gradually lost its place in journals – articles that used to be structured for repeated responses and scholarly dialogue are now the bygone products of another world. Without such open debate, the humanities become terribly impoverished.
Finally, the use of English has disproportionately promoted the studies of scholars in the USA and the UK. The importance of USA and UK research cannot be minimized, but it is also true that in certain fields and for certain themes, its application to other cultural milieus can be very problematic. Together, the lack of debate, the dominant use of English, and the peer-review process (not to mention the inherent dominance of scientific studies over humanities in journal rankings) have thus radically reoriented the mainstream of research in one dominant direction, namely following UK-USA trends, which are, however, not always relevant frameworks for other cultural realities.
Through this new online platform, we would like to open this debate to a larger framework, not to challenge the importance of the debate which is produced from Berkeley to Oxford, but to give space to scholarly traditions which we believe are today marginalized within this mainstream. We wish that the platform created in Brno, a place traditionally situated at the crossroads of Europe, may serve as a place where scholarly dogmas and mainstreams can be critically challenged. We are aware that such an operation can be problematic, and that an editorial vision will inevitably emerge through the different contributions. This is clearly assumed by the composition of the advisory board, where scholars active in Brno are in majority.
We feel, however, that medieval studies and humanities more generally need a place today where challenging both the traditional historiographies and the current trends is possible in an open debate. Perhaps, humanities also need a place for simply conceiving, thinking, and dreaming a better world. The aim of this platform is to propose analyses, to establish a space for the confrontation of points of view. In short, to allow the deciphering of a complex reality, both of the uses of the Middle Ages today in society, politics, and scholarship and also of the paths taken by our disciplines. In sum, a space of debate – the sine qua non condition for democratic exchange.
This is the reason why this blog will revolve around freedom: freedom of format and freedom of ideas. Shorter or longer essays are welcome, with or without illustrations/or footnotes, touching all aspects of medieval visual and material culture, its reception, as well as its role for communities. All kinds of contributions will undergo an open peer-review process guaranteed by the members of the editorial board (see team). We will challenge only factual imprecisions or mistakes without any sort of intellectual censure. The unique exceptions will be texts which are openly promoting racist, discriminating, and hate-inciting ideas. If a text will be totally contrary to our shared vision of the world, we will take the liberty to accompany its publication with a statement. If the authors wish, their English text can be accompanied by its original language version. Each article will be provided with a DOI and the blog has an ISSN to guarantee major possible transparency.
prof. Ivan Foletti, M.A., Ph.D., vedoucí Centra
ISSN 2788-2179
published 28/12/2023
In 1923, Arthur Kingsley Porter published his ten volumes on Romanesque Sculpture of the Pilgrimage Roads. Its anniversary provides an opportunity to look back to how the narrative constructed around Romanesque art in Iberia, the Way to Santiago, and the impact of the Islamic frontier developed and changed under different international and nationalistic scholarship and their agendas. Hopefully, it can also serve to critically reflect on the modes of current instrumentalization of medieval past in Spain’s public sphere and on the great value of Porter’s lessons on History of Art.
Remembering the Author of the Bild-Anthropologie
published 24/01/2023
On January 1st and 2nd 2023, I had the pleasure of meeting Hans Belting – who left us on January 10 – for the last time. It was a dense meeting: we concluded a long interview that had lasted since 2017, a discussion that over time became more of a dialogue between friends. Excerpts of this extended interview will soon be published (The Presence of Images. Hans Belting in Dialogue with Ivan Foletti, Rome/Brno, forthcoming). We went through photographs from his youth to more recent years, discussing what art history and Bildwissenschaft were and what they have become. When I left, I was convinced we would have the occasion to meet again. Although we will not, we had the chance to say goodbye, in a way, to each other through this friendship: we discussed images, our shared passion, and remembered the old masters of our discipline. It was the best “goodbye” I could have received.
published 24/01/2023
It may seem surprising that the first article published on the new platform Critical Inquiries in Medieval Culture has apparently little to do with medieval culture as such. It deals, however, with figures of émigrés who have durably impacted the field of art history and who also happened to have left their footprint on the field of medieval art history. Above all, it deals with problems inherent to the medieval world and to the world in which we live: the movement of persons — forced or not — as a vector of cultural transfer, creativity, and transformation. Furthermore, this article originated with a reaction contextualized by ongoing work on emigration and art history.
Ivan Foletti (Masaryk University)
Michele Bacci (Université de Fribourg)
Adrien Palladino (Masaryk University)
Zuzana Frantova (Masaryk University)
Cécile Voyer (Université de Poitiers)
Alberto Virdis (Masaryk University)
Masaryk University
Faculty of Arts
Veveří 470/28
602 00 Brno
Czech Republic
Masarykova univerzita
Filozofická fakulta
Veveří 470/28
602 00 Brno
Česká republika